tritone substitution for g7

Two common devices are substitution are using tritone substitutes and diminished chords. Since the topic can be kind of confusing, Im gonna try to explain it in a way that normal people can understand.... - What is a tri-tone..? In this example the first part of the line is a descending Dm7 arpeggio. A Tritone Substitution is when you substitute a dominant 7th chord (like G7 or D7) for another dominant 7th chord that is a tritone away from it. (Solo & comping Amp. They work because the Guide Tones (3rd & 7th) are the same in both chords.. G7 = G B D F; D♭7 = D♭ F A♭ B Tritone Substitution and Scales For example, above we said that D – G# forms a tritone, and Bb – E as well. Using the tritone substitution, the roots of the ii-V-I progression move down by half-steps, instead of ascending 4ths. So it works both ways!!!! A sus chord can be thought of as combining a ii and a V7 into one chord! This doesn’t mean you can’t substitute other chord qualities, but a dominant 7 is most often the chord being used to replace. The G7 chord uses the notes G-B-D-F. Introduction. the "Tritone Bridge". It’s responsible for some of those very interesting, authentic jazz harmony sounds that sets jazz apart from other genres. 6 frets) higher. You should practice taking this chord progression in all 12 keys. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. The Tritone substitution is a very powerful way to add some extra tension and color to a II V I cadence. New comments cannot be posted and votes cannot be cast. Tritone Chord Substitution in Bass Lines. There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. But although the tritone (also known as the tritone substitution) is common in jazz and cocktail music it is often seen as confusing and difficult to understand. Now the progression reads Dm7 Db7 Cmaj7 or Dm7b5 Db7 Cm7. The reason that this substitution works is that dominant 7 chords with a … That DbΔ is not a “tritone” sub, because it doesn’t have the common tritone with G7; doesn’t have a tritone at all. These chords are interchangeable because the tritone interval pitches are identical in each. The tritone substitution, or sometimes know as the b5 sub, is a very common substitution. Replace the V chord with a dominant chord a tritone away. Try it out in any situation where you have a V chord, especially when the V chord resolves. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. G7 can also substitute for Db7… like in this progression: Gb major. Tritone substitutions are a common harmonic device used in the jazz idiom. Create your own unique website with customizable templates. Rhythm Changes Bridge (in the key of Bb) || D7 | D7 | G7 | G7 | C7 | C7 | F7 | F7 || Dominant chords converted to ii Vs Ab minor 7 >>> Db7 >>> Gb major 7 (ORIGINAL) Ab minor 7 >>> G7 >>> Gb major 7 (tritone substitution). State the ii and then a minor chord a tritone away from ii. Resumen. Substituting V7 for I#7, and vice versa, is called tritone substitution. To apply this chord substitution just substitute the V chord with another dominant chord a tritone away. Instead of playing that G7, swap it for the seventh chord a tritone, or three whole steps (ie. Amp. Rhythm Changes Bridge (in the key of Bb) || D7 | D7 | G7 | G7 | C7 | C7 | F7 | F7 || Dominant chords converted to ii Vs A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Evans RE200) Let’s take G7 as a V chord. The tritone substitute typically uses a 7th chord for the V chord whose root is 3 whole steps from the root of the V chord. They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. report. So let’s jump right into some different kinds … In fact, it was called the devil's interval . "Tritone Bridge" is a term used to describe using tritone substitutions throughout the bridge of a rhythm tune. We use cookies to ensure that we give you the best experience on our website. Example: G7 is replaced by Db7. Archived. For instance, you could substitute Db7 for G7 because Db is a tritone away from G. Also notice the root of each dominant chord creates a diminished arpeggio: G B♭ D♭ E; Dominant Diminished So a G7 would become a D♭7 (the root note is a tritone away). A tritone substitution usually takes the place of a dominant (V7) chord. Db7 is then the tritone substitute for the G7. (click to expand) 3. What is a Tritone Substitution? 예를 들어 C key에서 Dm7-G7-CM7이 2-5-1 진행이 되는데, G7의 대리코드로 Db7을 사용하면 Dm7-Db7-CM7이 되어 자연스럽게 chromatic root movement가 생기게 된다. Tritone substitution is a very cool jazz chord substitution. It can often be used interchangeably with a V7 chord and is regularly used as a substitute. ... look at the G7(#5,b9) chord and then compare it to the Db9 chord next to it. What are Tritone substitutions. So a G7 would become a D♭7 (the root note is a tritone away). A tritone substitution really is a reharmonization technique. tritone is exactly half an octave, and inverts to another tritone (recall from Chapter One that a tritone inverts to a tritone, 4 and 1/2 plus 4 and l/2 equal nine). Here is a II-V-I chord progression written out with the tritone substitution added on the V chord (G7 is substituted w/ Db7 instead). Db7 is then the tritone substitute for the G7. That would be a Db7 here. A tritone is a distance of 3 whole steps. 67% Upvoted. Hector came to our attention via one of our JGT contributors – thanks John Stowell! G7 and Db7 share the same tritone interval which gives both chords their dominant quality and makes these two chords interchangeable. So it works both ways!!!! Dm7 G7 Cmaj7 or Dm7b5 G7 Cm7. If the original chord in a song is G7 (G, B, D, F), the tritone substitution would be D ♭ 7 (D ♭, F, A ♭, C ♭). For example, in the key of C the progression becomes Dm7, Db7, CM rather than Dm7, G7, CM. Do things in the right order and you stand a lot better chance of understanding it. So it turns this: C Dm7 G7 C into this: C Dm7 Db7 C. The easy explanation for why Db7 (the flat-II) serves as such a good substitute for G7 is that the chords share two notes: F and B. In the second line, I replaced the G7 thru it's tritone substitution Db7. As usual, we'll start by looking at the perfect cadence, which seems to have decidedly become the most crucial element in tonal music! For example the tritone substitution of a Db Major triad over a G7 chord: EXAMPLE TRITONE SUBSTITUTION . Por ejemplo, en la tonalidad de C, el acorde de G7 (V7) resolverá en un acorde de C (I). Explain it a lot please. G7 can also substitute for Db7… like in this progression: Gb major. For example : playing Db7 over G7. In the previous lesson on Shell Chords, we learned that you don’t always have to play every single note in a chord.In fact, you can omit any note except for the 3rd and 7th (Guide Tones) of the chord and still retain the general sound or feel of the original chord.For this same reason chords can be substituted. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- 우선 본 포스팅(1편)에서는 Tritone Substitution(트라이톤 대리화음) 의 원리에 대해서 알아볼 것이고, ... 표기할 때 G7, D7과 같이 표기하는 코드로, 메이저 스케일의 V코드(Mixolydian Scale에서 나온 코드)라고 배웠던 그 코드이다. That’s why some say “flat-five sub.” The tri-tone substitution does not necessarily mean that a chord has a tri-tone in it and it doesn't always … Using Tritone Substitution (G7 to Db7) Remember the tritone is the diminished fifth/augmented fourth interval , that spans 6 half-steps. Do things in the right order and you stand a lot better chance of understanding it. State the V chord and then a dominant a tritone away. 90% Upvoted. They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. For example, a G7 chord can be substituted with the Db7 chord. G7 = G B D F; D♭7 = D♭ F A♭ B; Tritone Substitution and Scales Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. In the second system, we show the same chords but applying tritone substitution to … 26 comments. report. Progression with a dominant chord (G7): C Dm7 G7 C Progression with a tritone substitution (Db7): C Dm7 Db7 C It’s called a tritone substitution because the root of Db7 is an augmented 4th (nicknamed a tritone) away from G7. It’s often used in a II V I progression. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. G7, A7, C7, etc. Instead of the G7, use the Db7. On each long minor chord play 1 2 3 4 5 3 2 1. Its structure is 1 3 5 b7. With tritone substitution, this progression would become "d minor, D ♭ 7, C Major," which contains chromatic root movement. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. Chord substitution often results from an attempt to provide smooth voice leading. The Dmin7/G actually shows the function quite well. To apply this chord substitution just substitute the V chord with another dominant chord a tritone away. "Tritone Bridge" is a term used to describe using tritone substitutions throughout the bridge of a rhythm tune. You can learn what tritone substitution is here: Tritone Substitution. G #7alt (D 7alt ) The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. A G7 really only differs from the G7sus in that the G7sus substitutes the … In the key of C, this progression is "d minor, G7, C Major". the "Tritone Bridge" || A- D7 | Eb- Ab7 | D- G7 | Ab- Db7 | G- C7 | C#- F#7 | C- F7 | F#- B7 || Equivalencies: G7+9+5 = Db7+11, G diminished whole tone = Db lydian dominant The Backdoor Progression is a tritone substitution of the Frontdoor Progression. You should practice taking this chord progression in all 12 keys. Let’s take G7 as a V chord. It’s often used in a II V I progression. One of the most common Chord Substitutions in Jazz is the Tritone Substitution.This is a way of substituting V7 chords. The tritone substitute can also be used in secondary dominant situations. hide. So let’s look at the notes of that chord: Db7: Db – F – Ab – B; Again, if you drop the Db and Ab, you are left with the F and B…which is that same tritone interval that is found in the G7 chord. A G7sus can ALSO be written as an F/G, FMaj7/G, or even a Dmin7/G. Hector Manuel Quintana, Artist of the Week. This means all these chord progressions are a ii-V or a tritone substitution of a ii-V leading to the I or a median note substitution of the I. The roots of the G7 and Db7 chords are also a tritone apart. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- CMaj7 4. Dm7 G7 Cmaj7 or Dm7b5 G7 Cm7. The Db7 uses the notes Db-F-Ab-Cb. the "Tritone Bridge" || A- D7 | Eb- Ab7 | D- G7 | Ab- Db7 | G- C7 | C#- F#7 | C- F7 | F#- B7 || Equivalencies: G7+9+5 = Db7+11, G diminished whole tone = Db lydian dominant What are Tritone substitutions. The tune "Lo Jo" by George Coleman uses a tritone bridge. That would be a Db7 here. One common bebop reharmonization technique over the V7 sound was the tritone substitution. You can also think of it as a b5 or a #4 away from any given note. So, if we had a D7 chord in a progression, a Tritone Substitution would switch in a G#7 chord in its place, and a Bb7 could be switched to an E7. They work because the Guide Tones (3rd & 7th) are the same in both chords. The "reason" that it is a tritone away from the target chord doesn't really explain anything, at least not to me. New comments cannot be posted and votes cannot be cast. share. In the following image, we show a cycle of fifths progression, starting on E7 and ending in F7. A tritone substitution can offer an interesting side effect. This type of substitution is known as a tritone substitution." For example, Db7 would be the tritone substitution for G7. Include the entire ii V and then the ii V a tritone away. In the second line, I replaced the G7 thru it's tritone substitution Db7. Db7 has a root 3 whole steps from the root of the G7 chord. Either chord may progress to its own tonic as well as the tonic preferred by the other, since they share a common Tritone. You can swap your dominant seventh chord for the dominant seventh a tritone higher anytime you want. Wikipedia explains it this way: In jazz music, a tritone substitution is the use in a chord progression of a dominant seventh chord (major/minor seventh chord) that is three steps (a tritone) away from the original dominant seventh chord. Tritone substitutions are a common harmonic device used in the jazz idiom. The tritone substitution is widely used for V7 chords in the popular jazz chord progression "ii-V-I". Chord Substitution. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. "Tritone Bridge" is a term used to describe using tritone substitutions throughout the bridge of a rhythm tune. Previously we have determined that the tritone sub for G7 is Db7. Example 2: G7sus CMaj7 This is arguably the most similar to the V7-I progression. A tritone substitution replaces the G7 with a Db7. Note that the 3rd and 7th notes of the G7 chord are found in the D ♭ 7 chord (albeit with a change of role). In the above example, D b 7 is a tritone sub for G7 during part of the third bar. “Dominant chord” is the name we give to the 5th chord (V7) in a major scale. 이 방법은 특히 재즈의 "II-V-I" 진행에서 많이 사용된다. The tritone substitution, or sometimes know as the b5 sub, is a very common substitution. The most used scale over a tritone substitution is Mixolydian#11 (#4) what is the 4th mode of Melodic Minor. Instead of the G7, use the Db7. You can swap your dominant seventh chord for the dominant seventh a tritone higher anytime you want. The tune "Lo Jo" by George Coleman uses a tritone bridge. (Db7 is the flat 5 th of G). But below it, the author (Eric Roche) Says "The IV7 chord (F7) is in fact a substitute for the B7 chord and could resolve to the Eminor (iii) chord also. A short example where Db7 substitutes G7: A dominant chord descending by half-step is probably a tritone substitution. Enjoy Artist of the Week, Davy Mooney Explores His Thoughts on Augmented Harmony, Understanding Diminished Chords and Diminished Harmony, Last Years Release, But Time to Listen to Basile’s “Silent​ Night”, Davy Mooney’s Approach to the 1950 Jazz Standard, “Conception”, Copyright © 2020 Jazz Guitar Today All rights reserved. It sounds pretty sweet. hide. A tritone substitution usually takes the place of a dominant (V7) chord. These chords are interchangeable because the tritone interval pitches are identical in each. Amp. 5) Tritone Substitution, V7 flat 5 flat 9. Tritone substitutions are a common harmonic device used in the jazz idiom. Dm7 G7 Cmaj7 or Dm7b5 G7 Cm7. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord.For example : playing Db7 over G7. Tritone Substitution (labeled as subV7 in music analysis) is the substitution of one dominant chord with another dominant chord a tritone (3 whole steps) away from the original dominant chord. For every dominant 7th chord, there is one tritone sub associated with it. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Db7 the 7th and the 3rd are B and F. Since they are similar you can exchange them in a simple progression like this: Recall that spelling G7b5 and Db7b5 yield the same notes in a different order: G B Db F. They are identical. Full tritone substitution for each ii V, i.e. Please bear in mind that tritone substitutions create very strong tension and only work on dominant chords, so use them with discretion. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. A tritone substitution is the process of replacing one dominant 7th chord with another dominant 7th chord located a tritone away from the original. The F7 is repalced with a B7. En música tonal, una cadencia perfecta convencional consta de un acorde de séptima de dominante (V7), seguido por un acorde de tónica (I). The tritone is a very common device used in the jazz and Great American Songbook repertoire. This is a way of substituting V7 chords. As an example, if we take the original ii-V-I progression we started with and apply a tritone substitution for the G7 we would end up … I wanted to add that tritone subs are not only for V7 or dominant chords, but actually any quality of chord can be substituted as long as it works (meaning sounds good--and yes that is subjective). A few examples of tritone substitutions for a simple ii - V7 - I in the key of C: Dm7 - G7 - C Dm7 - Db7 - C Ab7 - G7 - C Abm7 - Db7 - C et cetera. This is where the confusion usually begins for students. The tri-tone of any note is that note which is 3 full tones away from the starting or original note. That’s why, instead of going to the 6 chord to lead you to the 2, you’ll find … This thread is archived. On each short dominant chord play 1 M7 m7 1. Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. It can be used instead of the V or in addition to the V. A Lesson in the Blues… Understanding the Pedal Tone. The Bm7b5 (BDFA) usually serves as a substitution for G7 (GBDF), which makes the F#7 sound more like a passing chord from Fmaj7 to G7/Bm7b5 than as a secondary dominant. It’s often used in a II V I progression. So let’s plug in some variables. Tritone substitutes and altered dominants. OMITTED/ADDED ROOTS share. Full tritone substitution for each ii V, i.e. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- CMaj7 That’s why, instead of going to the 6 chord to lead you to the 2, you’ll find … Posted by 1 year ago. Tritone substitution. (Solo & comping Amp. Wikipedia explains it this way: In jazz music, a tritone substitution is the use in a chord progression of a dominant seventh chord (major/minor seventh chord) that is three steps (a tritone) away from the original dominant seventh chord. Evans RE200 Scales, tritone substitution D-7/ G7 /Cmaj7; ideas de escalas para tocar sustituyendo, en Do mayor, II-V-I. Tritone substitution is a very cool jazz chord substitution. A tritone is an interval of three whole tones between two notes. The reason that this substitution works is that dominant 7 chords with a bass note a tritone apart share the same 3rd and 7th. Evans RE200) The melody is a descending 1st inversion Db7 arpeggio. This thread is archived. Close. So it turns this: C Dm7 G7 C into this: C Dm7 Db7 C. The easy explanation for why Db7 (the flat-II) serves as such a good substitute for G7 is that the chords share two notes: F and B. Example: G7 is replaced by Db7. Here is an Tritone substitution is a popular term that gets thrown a lot in music, especially jazz music when it comes to reharmonizing the chords and harmony in jazz standards and often times big band arrangements.. 6 frets) higher. 23 comments. If you continue to use this site we will assume that you are happy with it. Tritone Substitution or The Substitution V7 (SubV7) Chord. In this example I am substituting a Db7 for the G7 and creating a top-note melody that helps move the progression along. What are Tritone Substitutions and when are they used? Db7 has a root 3 whole steps from the root of the G7 chord. We’re only talking about dominant 7th chords, not major or minor chords. Here is a II-V-I chord progression written out with the tritone substitution added on the V chord (G7 is substituted w/ Db7 instead). There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. It does sometimes cause a little confusion so this lesson will deal with how to … The tritone substitution is widely used for V7 chords in the popular jazz chord progression "ii-V-I". save. On the Bbmaj7 it is also possible to use the arpeggio from the 3rd which is a Dm7 arpeggio. The tritone substitution The tritone substitution is very common in Jazz, and it is the substitution of a Dominant 7 chord with the Dominant 7 chord three whole tones above the root. Let’s say you have a chord progression that goes C Am7 Dm7 G7 C – Pretty standard fare. Three whole tones is the same as the b5. Evans RE200 Scales, tritone substitution D-7/ G7 /Cmaj7; ideas de escalas para tocar sustituyendo, en Do mayor, II-V-I. In music a Cb note sounds the same as a B. Ab minor 7 >>> Db7 >>> Gb major 7 (ORIGINAL) Ab minor 7 >>> G7 >>> Gb major 7 (tritone substitution). A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. The most used scale over a tritone substitution is Mixolydian#11 (#4) what is the 4th mode of Melodic Minor. | D7          | D-       | G7          | G-      | C7          | C-      | F7      |. For example, Db7 would be the tritone substitution for G7. Full tritone substitution for each ii V, i.e. In the second system, we show the same chords but applying tritone substitution to every other chord. This makes G7 and F# Major unlikely bedfellows, more so than any other of the new V7 resolutions we’ve just enumerated. It divides exactly the octave in 2 equal parts, and it's famous for its dissonant sound. Publisher viethrive.com. In the following image, we show a cycle of fifths progression, starting on E7 and ending in F7. The tritone substitution for the 5 chord G7 would be Db7. In this example a Bdim replaces the G7 which is the chord on the 3rd of a G7(b9). Tritone substitution is the substitution of one chord (almost always a dominant 7th of some sort) for one with a root a tritone away. Instead of playing that G7, swap it for the seventh chord a tritone, or three whole steps (ie. It does sometimes cause a little confusion so this lesson will deal with how to play and use it and what it is theoretically. Let’s say you have a chord progression that goes C Am7 Dm7 G7 C – Pretty standard fare. Db7 is then the tritone substitute for the G7. The tune "Lo Jo" by George Coleman uses a tritone bridge. The tritone substitute typically uses a 7th chord for the V chord whose root is 3 whole steps from the root of the V chord. 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Show the same chords but applying tritone substitution. rhythm tune the perfect cadence implies a of... The roots of the most used scale over a tritone, or three whole tones is chord. We show the same notes in a different tritone substitution for g7: G B Db they... D minor, G7, CM 7 chords with a bass note a tritone or! About dominant 7th chord, especially when the V chord with a root a tritone is! Half-Steps, instead of ascending 4ths, there is one tritone sub in jazz is the fifth/augmented... Chord for the G7 than Dm7, Db7 would be Dmin7 - – Pretty fare. ) what is the 4th mode of Melodic minor is then the Substitution.This. G7 would become a D♭7 ( the root of the third bar both chords and makes these two chords.... Tones is the same in both chords a Lesson in the second line, replaced... Other, since they share a common harmonic device used in place of the used... A V7 chord and then a minor chord a tritone interval pitches are identical own as! Ii V I progression create very strong tension and only work on dominant chords, not major or chords. 7Th B and F. and for substitution is Mixolydian # 11 ( # 4 tritone substitution for g7 what the..., instead of playing that G7, C major, the chords would be Dmin7 - ''... Of it as a tritone bridge '' is a distance of 3 whole steps –... State the ii and a V7 chord and then a minor chord a tritone, three... Pedal Tone and for common bebop reharmonization technique over the V7 sound was the tritone interval pitches are identical differs. Substitute the V chord what tritone substitution. notes in a ii V, i.e situation. Also be written as an F/G, FMaj7/G, or sometimes know the! The b5 the place of a G7 would become a D♭7 ( the root note is tritone. 4 5 3 2 1 en Do mayor, ii-V-I Lo Jo '' by George Coleman uses a substitution... Throughout the bridge of a tritone substitution for g7 tune Remember the tritone substitute for the G7 with a root tritone. Rhythm tune interval pitches are identical in each tritone higher anytime you want progression Dm7! Devices are substitution are using tritone substitutions throughout the bridge of a 7! A Dm7 arpeggio these chords are interchangeable because the Guide tones ( 3rd & )... Is most commonly a dominant 7 chords with a Db7 for the G7 and Db7 share the 3rd... Rather than Dm7, G7, swap it for the G7 ( # 4 what... Chord and then a minor chord a tritone substitution occurs whenever a chord progression in 12. Parts, and Bb tritone substitution for g7 E as well G # forms a tritone substitution Db7 substitution can an! M7 1 is where the confusion usually begins for students use this site we will assume you! There are many different types of reharmonization techniques, and vice versa, a! # 4 ) what is the tritone substitution, V7 flat 5 9! Cycle of fifths progression, starting on E7 and ending in F7: in a standard ii-V-I progression in following. A rhythm tune 12 keys 5 ) tritone substitution Db7 chord ” is tritone substitution for g7 name give... Given note it and what it is also possible to use the from... Whenever a chord progression in all 12 keys substitution to every other chord )! Some of those very interesting, authentic jazz harmony sounds that sets apart... E as well as the b5 sub, is a Dm7 arpeggio but applying tritone substitution is term! A V7 into one chord that tritone substitutions throughout the bridge of G7... Evans RE200 ) a short example where Db7 substitutes G7: a dominant V7..., FMaj7/G, or three whole steps understanding it substitution replaces the G7 chord exactly the in... Short dominant chord descending by half-step is probably a tritone substitution. to attention! `` ii-V-I '' substitute for the G7 and Db7 chords are also a tritone substitution whenever. That D – G # forms a tritone substitution for G7 to ensure that we give you the experience..., we show a cycle of fifths progression, starting on E7 and ending in F7 progression, on! Chord for the G7 and Db7 share the same chords but applying tritone substitution. 6 half-steps type substitution! Melody that helps move the progression along M7 1 root of the line is a descending arpeggio! With how to play and use it and what it is also possible to use substitutions...

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